THE COMPOSITE PRINCIPLES OF HARMONIZATION OF MODERN ARCHITECTURE IN THE HISTORIC ENVIRONMENT
Abstract and keywords
Abstract (English):
Including modern object in the certain spatial environment possessing a certain figurative and historical characteristic, the architect solves a complex problem of the valid and tactful relation to the past and a harmoni-ous combination to it new. Here it is important the cultural and professional potential of the reformer allowing him to choose correct art and style concept. Owning all arsenals of architectural and composite means, he needs to choose what are necessary in a concrete situation. Allocating art and stylistic aspect of a shaping in the developed historical environment, the artist directly or indirectly uses plastic language of architecture to throw semantic bridges through various styles and eras. Considers separate (some) examples of successful use of means of harmonization in building of historic centers of such cities as Prague, Vienna. The objects in modern architectural and constructive systems contrasting its conciseness and used materials are perfectly entered in magnificent eclectic building of the XIX century

Keywords:
composite principles, harmonization, art and stylistic aspect
References

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2. Maslov A.V. Novaya arkhitektura v istoricheskoy srede. M.: Stroyizdat, 1990. 194 s.

3. Teoriya kompozitsii v sovetskoy arkhitekture / Pod red. L.I. Kuleshovoy. M.: Stroyizdat. 1985. 256 s.

4. Tumasov A.A. Modernizatsiya i prisposoblenie pamyatnikov arkhitektury k sovremennym usloviyam ekspluatatsii. Izv. vuzov. Sev.-Kavk. region. Tekhn. nauki. 2006. Pril. № 12. Problemy stroitel´stva i arkhitektury. Ch. 1. S. 125-128.


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